Testimonials

“I can’t stress enough how beneficial “Write in the Wild” and Katiedid have been to my writing career. She really understands story and structure, and thanks to her I understand it much better myself. My writing has noticeably improved, and it’s due in large part to her. She’s a great teacher and mentor, and I highly recommend her program. I also really like drinking coffee outdoors, which she encourages. So there’s that, too.”

– Ben Gillman, author of “The Legends of King Arthur” book series

“Katiedid is a story genius with a side of dialogue mastery. Ignore her notes at your own peril.”

– Henry Dunham, screenwriter/director of “The Awareness”, Blacklist script, “Militia”

“I’ve seen first hand Katiedid’s devotion to story and dedication to her clients one-on-one. I’ve also had the pleasure of witnessing a myriad of her writing clients take the bull by the horns and become full fledged working writers in the industry. Not only will you get your money’s worth, you’ll also get a stalwart cheerleader for life.”

–  Sadie Dean, producer, project coordinator at Stage 32, Writers Store, F+W Media

“Katiedid’s my secret writing weapon! I know I’m a decent writer, but I get bogged down in my drafts. Katiedid never fails to pinpoint the exact places of weakness in my drafts and her suggestions on how to fix and improve them always result in a stronger draft, with better writing. She’s a freaking awesome writing consultant.”

–  Catherine McNulty, creative writing program at Columbia University

“Every time one of my female characters sparks to life on the page, I think of Katiedid. Her insights and encouragement made me want to write women better, and then not leave the men behind. And so now my characters, both male and female, feel more full of fire and genuineness; and I’m left saying, “Thank you, Did.”

–  Mario O Moreno, writer of “L.A. Series” and co-author of “The Pocket Screenwriting Guide”

“Katiedid’s help has been invaluable to my work. She consistently has poignant, insightful notes, with a perspective unique to her. And might I say, they are very diplomatically given! With a strong sense of story, Katiedid is able to isolate problems and always has suggestions on how to remedy them, all while maintaining the writer’s vision and voice.”

– Lily Dahl, author of LaunchPad Manuscript Competition finalist for “The Lion and The Dead”, writer of optioned teleplay, “DamNation”, winner of Script Pipeline TV pilot competition

“Every writer can benefit from stronger characters and Katiedid’s ability to find and fine tune your characters’ voices and attitudes is second to none.”

– Bryan Roy, semifinalist in Stage 32 comedy contest for “Wasted Space”

“Katiedid has a knack for developing and bolstering characters so that they create maximum impact in a story. I admire her creative sensibilities and she always brings depths and emotion to everything she touches.”

–  Sarah Wise, staff writer “From Dusk Til Dawn: The Series”

“I couldn’t have gotten through “We’re Lalaloopsy” without my partnership with Katiedid Langrock. As Executive Story Supervisor, she was insightful into evolving the brand of Lalaloopsy into its current rebooted form for the Netflix Original Series. And, without her tireless efforts in story editing and writing, the show wouldn’t be what it is today.”

– Dawn Johung, Producer

“Katiedid possesses a masterful ear for dialogue. With her help, she made my characters pop off the page and demand I take their story seriously. And I am so grateful I did!”

– Kay Tuxford, winner of Script Pipeline for “40 Elephants”

“(Katiedid is) not only a talented writer but, just as importantly, a tireless worker. As a working film and television writer for over 30 years, I know how rare and precious a commodity natural talent is, but rarer still is Katiedid’s commitment to the craft of writing… She has the wit to pitch funny stuff, the good grace to laugh at the other guy’s material, and the humanity to know that everything isn’t always a joke.”

– Andy Guerdat, showrunner (“Herman’s Head”), comedy writer